
Four useful ideas
Hue, tone, saturation and distribution offer a practical vocabulary for looking. None should be isolated from translucency, texture, proportion or the finished design.
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The World of Jadeite
Jadeite can appear across more than one colour family. Hue describes the colour family, tone describes lightness or darkness, saturation describes intensity, and distribution describes how colour travels across the material. Lighting and surroundings can change perception, so colour should be viewed in context.
A practical lens
Name the colour family before judging intensity.
Notice whether colour appears even, graduated or naturally zoned.
Compare the material under neutral, warm and directional light.
Use verified product descriptions instead of inferring colour from editorial images.

Hue, tone, saturation and distribution offer a practical vocabulary for looking. None should be isolated from translucency, texture, proportion or the finished design.

A colour may appear quieter, deeper or more vivid as illumination and surroundings change. Screen reproduction adds another variable and cannot replace viewing the individual object.

The outline, thickness, polish and setting influence how colour is experienced. GREIGN evaluates this relationship in the context of the intended creation.

The GREIGN Standard
Across Beginning, Journey and Legacy, GREIGN seeks high-quality jade whose colour has coherent character and suits the form. A line assignment does not turn one colour family into a lower standard than another.
Language
GREIGN Journal
What to look for when viewing jadeite, and what a photograph can tell you about a stone.
Read articleSelected creations
Product-specific facts remain governed by each creation's own GREIGN record and Stone Profile.



LEGACY
A high-jewellery line built around two elongated drops and a disciplined fall of light.